︎
Linnea Ek Blæhr
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SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde SHE FOR EGESHE is a tribute to her. Featuring six carpet designs celebrating female artists in their time not obtaining the recognition they deserved within the textile weaving, sculpture or painting handicrafts. Like Agnes Martin, Aino Aalto, Anni Albers, Ray Eames, Sonia Delaunay or Sonja Ferlov Mancoba – and others developing decisive works not to be disregarded. SHE honours women who helped clearing the way for future female artists, who, then and now, live and breathe design.Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet.Designed in collaboration with Laura Bilde
MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page → MOON PLATES FOR EQ3Moon Plates are artistic glass dishes created for EQ3 They are handmade, using sand molds, and are inspired by the moon's surface and its round shape. Each plate in the collection is unique, resembling the moon's texture and shape. They bring a sense of cosmic inspiration and showcase the craftsmanship put into their creation.Designed in collaboration with Laura BildeGo to product page →
FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page → FORMA FOR HOLMEGAARDWith its weighty, sculptural constructions in solid glass, Forma is a product series rooted in the historical Bauhaus era, where shapes like cubes, spheres, and cylinders served as primary design elements. Forma embodies the same graphic strength through massive geometric shapes intersecting with one another. This bold design language engages with the negative space surrounding the structure, influencing how the brain interprets the fusion of forms.Designed in collaboration with Laura BildeGo to product page →
A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page → A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page → A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page → A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page → A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page → A NEW WAVE FOR EGEInspired by the rough and untouched landscape of the Danish west coast, A New Wave strives towards tactility on a functional and sensual level that allows you to feel the patterns of the sand, the strict lines of the grass dunes and the rhythm of the waves washing in. Multi levels in the carpet construction form the sculptural patterns while the colour palette reflects the dry and delicate tones of the seaside.The collection is crafted from regenerated and regenerable yarns based on abandoned fishing nets, used carpets and other industrial waste.Designed in collaboration with Laura BildeGo to product page →
BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page → BLÆHR VASE FOR NEW WORKSThe Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centerpiece with depth and character.Go to product page →
Tuesday Oct 5 2021